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Anubhav Sinha Rejects Box Office Obsession For New Film Assi

Satish Ray by Satish Ray
1 hour ago
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As the curtain rises on Anubhav Sinha’s latest courtroom drama Assi today, the director is making headlines for something other than the script. In a bold move that challenges industry norms, Sinha has refused to participate in the race for box office records. He believes the fixation on earnings distracts from the art of storytelling and plans to keep the financial performance of his new movie under wraps.

Director Calls Financial Figures Mere Good Gossip

The conversation around Indian cinema often revolves around the 100 crore or 500 crore clubs. However, Anubhav Sinha is taking a stand against this trend. In a recent interview, he dismissed the public interest in collection reports as nothing more than idle chatter. He argues that the general audience does not truly understand the complex breakdown of trade figures, such as gross worldwide versus net India collections.

Sinha points out that the viewer rarely knows that a producer only takes home a fraction of the reported figures. He believes audiences should not worry about financial stats that have little to do with the quality of cinema. According to the filmmaker, these massive numbers are purely aspirational figures that look good on paper but do not define the actual merit of a movie. His goal is to shift the focus back to the content rather than the commerce.Anubhav Sinha Taapsee Pannu interview

Filmmaker Vows To Hide Assi Collection Data

Anubhav Sinha is going a step further than just complaining. He has vowed to fight tooth and nail to prevent the box office verdict of Assi from becoming the main talking point. He stated that if it were entirely up to him, he would not announce any numbers at all, regardless of whether the film is a massive hit or a flop.

The director admits that this is a difficult battle to win in the current landscape. Marketing teams often rely on these figures to drive ticket sales. Sinha acknowledged that he might get overwritten by market forces, but he is determined to try his best. He specifically wants to avoid releasing posters plastered with star ratings and collection figures. This approach is a refreshing change in an industry where success is almost exclusively measured by the opening day collections.

Taapsee Pannu Leads Cast In Courtroom Drama

The film itself deals with a subject that demands serious attention. Assi brings Sinha back to the genre of hard-hitting social dramas. The movie features Taapsee Pannu in the lead role. She plays a determined lawyer fighting for justice. The story revolves around a rape survivor, played by Kani Kusruti, and highlights the grim reality of sexual violence.

The title Assi is significant. It refers to a shocking claim within the film regarding the number of rape cases, a statistic intended to send chills down the spine of the viewer. Given the gravity of this subject, reducing the film to a profit margin seems trivial to the creators.

Here is the primary cast lineup for Assi:

ActorRole
Taapsee PannuDefense Lawyer
Kani KusrutiRape Survivor
Manoj PahwaSupporting Lead
Supriya PathakSupporting Lead
Kumud MishraSupporting Lead

New Release Faces Competition At Theaters Today

Assi hit theaters on Friday, February 20, 2026. It is not the only film vying for audience attention this weekend. The movie is clashing with Mrunal Thakur’s Do Deewane Seher Mein. While trade analysts will inevitably compare the footfalls and occupancy rates of both films, Sinha remains unbothered by the competition.

This is the third time Sinha and Pannu have collaborated, following their success with Mulk and Thappad. Both previous films were praised for their content. By focusing on the narrative rather than the business, Sinha hopes to replicate that critical success. The director wants the audience to judge the film based on how it makes them feel, not on how much money it minted.

In a film industry driven by profits, Anubhav Sinha’s stance offers a rare perspective. He urges viewers to look beyond the hype of “blockbuster” tags and engage with the story itself. It remains to be seen if the industry will respect his wish for privacy regarding the data, but his message is clear. Cinema should be about the experience, not the spreadsheet.

What do you think about this move by the director? Does knowing the box office collection change how you view a movie? Share your thoughts with your friends on social media and let us know if you agree with Anubhav Sinha.

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Satish Ray

Satish Ray

Satish Ray is a senior content writer with a penchant for weaving words into captivating narratives. With years of experience in crafting compelling stories across diverse industries, he excels in delivering engaging content that resonates with readers and drives results.

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